Dog Philosophy – Life Revelation of Poren Huang by Chen Fangling

Language is a human communication tool for discerning all things and connecting all things. Yet, while language certainly allows us to quickly understand the meaning of others and help us achieve effective communication, it does not instantaneously instill profound emotional exchanges.

Unlike language in human relationships, animals rely on the sense of dependence accumulated through interaction, observation and companionship; and naturally, such a meeting of soul is beyond the reach of the language so conceitedly acclaimed by humans. As such, the “non-word communication” with animals serves as a different sensory and neurological trigger for the human. Therefore, his past experience and understanding from keeping a large number of the Formosan Dog has convinced Poren Huang that dogs are particularly significant examples, and he hopes to use the imagery of dogs to evoke innate human instinct and genuine emotions. In short, in his “The Dog’s Notes”, Poren Huang intends to urge humankind to reflect on human comedy by using a most solemn but gentle approach. An article about why thesis writing should be ordered. Click here to find out – Check free topics here – 100% free online tool for students.

Miracle – An impossible happiness index

Indeed, everyone hopes to live a life of success, happiness, freedom and hope. Yet, such pure bliss does not come naturally, for fate inevitably lies in wait, and hence humans could but hope, desire and imagine a dream come true. In his book “Negative Dialectics”, 20th century German philosopher Theodor Ludwig Wiesengrund Adorno points out that an abstract utopia is an adaptation to the sinister tendencies of reality. Likewise in the creative works of Poren Huang, happiness embodies positive forces and ideas, but does not embroil the moral and political realities of life. In “The Fawner” (2005), while the bent hands before the chest and slightly bent knees express “not wishing to become a fawner”, the posture also represents the act of “buttering up someone”. In the same way, in “Snobbery” (2005), the arms crossed over the chest and chin titled slight upwards arrogantly show the contemptuous side of people. Using canine metaphors as creative expressions, Poren Huang demonstrates Adorno’s admonition that “for the sake of happiness, art should not abandon happiness, and desires should survive through art.” In his reverse psychology, Poren Huang’s personification of dogs is suggestive of admonishment, and is consistent with the aesthetic motto of 19th century French writer, Stendhal Dahl: “The promise of happiness” promesse du bonheur. However, it should first tell people today that this promise is constantly being broken, such that a real utopia must be achieved from the purely negative.

In “Politics”, ancient Greek philosopher Aristotle divides life into a number of two parts, such as useful and necessary actions versus aesthetic actions. Hence, aesthetic creation is a purely inner state unrelated to reality, and people can derive happiness from arts regardless of life’s realities. In other words, alienation, lack of freedom and sadness in real life can be disregarded in arts-the only mandate of art is to render the hope of a perfect life in abstract form. Poren Huang feels the futility of life’s reality, but upon entering the world of sculpture and wholehearted self-dialogue, the object of creation becomes utterly independent of a vaguely orderly context, and the energy of negative thinking is transformed into delightful forms. This is brought about by Poren Huang’s sculpturing talent for simplifying the complex, which is indeed his creative intent, and by his careful attention to material selection.

Works of art is a form of instructional gesture. On one hand, it is a way for audience to re-understand the world, and on the other hand, it is a way for artists to re-understand their personal media. Regardless, a work of art inevitably points to a certain direction, and whether for the audience or creator, it is a directive aesthetic object. For Poren Huang, “A dog sculpture is an artistic philosophy. From birth, humans are taught to adapt to society and get along with others; this is like keeping a dog where it is taught to obey rules and adapt to the habits of its master. My art is an inspiration and guide for life. At the very least, it is a means for people to believe in the possibility that good might prevail. The distinctive simplification of the complex attempts to demonstrates that the process of polishing a molded sculpture is like the process of domesticating a dog: through repeated strokes and adjustments, it acquires the content of socialization.” The dog sculpture of the artist happens to validate Frankfurt School philosopher Herbert Marcuse, who in the “Art as Form of Reality”, wrote, “Art is ultimate happiness only within itself; despair is sublimated, and pain becomes beauty.” On one hand, through idealization and spiritualization, happiness and pleasure are permitted, and on the other hand, they are vanquished from reality.

The Dog as Manifestation of the Artist’s Soul

A review of his creative process shows that in the early days, Poren Huang’s family did not support his artistic desire. After suffering countless oppression and indifference, he finally received affirmation for his dog-themed creations. Initially, he primarily chiseled vivid behavioral images of dogs on all fours. For example, in “Home” (2005), the bowl is used to associate the relationship between master and pet, and hints at the desire for family warmth; in “You Cannot Pass! “(2006), the stern overtone differentiates the ultimatum of each individual. Gradually, the artist internalizes and endows his images with “non-dog” elements while maintaining recognizable canine forms. For example, in “Happy Time” (2006), the wings mounted on the dog’s body expresses the wish to fly unfettered, and in “Sticking to My Post” (2007), the radar embedded in the enlarged ears of the dog not only highlights the acute hearing of the dog, but also emphasizes the connection between dog and human. In other words, Poren Huang’s dogs are no longer general portrayal of dogs, but are endowed with human duties and expectations. Thus it seems inevitable that the artist progresses into anthropomorphic creations.

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The Art of Subtlety in Aesthetic Medicine

A plastic surgeon performing facelifts by knife wants to make every client look their absolute best, but they aren’t thinking much about subtle transformation. The patient on their table wants instant results. They want to come out of the recovery period looking like a completely new person. They don’t really want to waste time doing multiple procedures or using at-home products to stimulate a more gradual process of change.

That is where aesthetic procedures stand apart from general plastic surgery. An aesthetic doctor is interested in subtle change over time for their patients. They want them to walk out of their office after every procedure looking younger than they looked walking in, but they don’t want it to be so obvious that everyone in the office or car pool line stares at them as they go back to their daily life.

The benefit of aesthetic medicine is in the subtle change over time. It’s in the ability to look younger in a very natural way. Instead of having everyone talking about you behind your back because they can tell you have had some work done, you have people asking you what you’re doing different.

There is just something different about you, but they can’t put their finger on it. Did you lose ten pounds? Grow your hair longer? Wax your eyebrows differently? They can keep guessing and guessing but the subtle change that come from good aesthetic procedures performed to perfection will never bring them to guess you have had plastic surgery.

This is the art of subtlety that is so important to aesthetic doctors. They are going for something a bit different from cosmetic surgeons. They want their patients to radiate with youth and have extremely high self esteem because they know they are only growing younger with age. They just don’t want to give them all that over night. They want it to be a natural change that slowly unravels and gets better and better.

Many patients today want it this way as well. They don’t want to go through the danger and pain of plastic surgery only to look as if they were sucked into a wind tunnel and permanently disfigured. They don’t want their skin to look stretched and manipulated.

They want simple beauty. Youth that seems natural and elegant. They just want to look in the mirror and feel like what they see is the best version of themselves that could ever possibly exist. This only comes with gradual procedures overt time, which allows subtle changes to take place at certain points in time.

This is exactly what the art of subtlety in aesthetic medicine means. It means growing more beautiful with time without artificial looking results. It means making small changes that are noticeable but in a very subtle, indirect way. Over time those small changes lead up to an amazing transformation.

Should You Choose Plastic Surgery or See an Aesthetic Doctor?

Are you looking for an aesthetic doctor to perform IPL treatment on your skin? Even though you can get minimally invasive procedures from this type of specialist, a lot of people are still choosing to have plastic surgery, which is a much more invasive procedure. It must be said that in some cases, this is the best option, but you really should find out more about aesthetic doctors before doing this.

It will be worth your time to read this article to find out more especially if you are looking into allowing a plastic surgeon to work on you.

Comparison of Plastic Surgery and Aesthetic Procedures

• You can receive either cosmetic surgery or aesthetic procedures from a certified plastic surgeon. However, only aesthetic treatments can be performed by an aesthetic doctor.

• Plastic surgery is an invasive treatment while aesthetic treatments are not. During plastic surgery, the surgeon cuts portions of the skin, but aesthetic treatments are performed on the skin’s surface.

• After plastic surgery, you will need several weeks to months to recover fully from the procedure. When your aesthetic procedure is complete, you will be able to walk right out of your aesthetic doctor’s office and resume normal life.

• Generally speaking, you will not require anesthetics to undergo aesthetic treatments. If any pain relief is needed it is typically applied locally. Due to the intensity of the pain during plastic surgery, patients are usually put completely under with the use of anesthetics.

• Plastic surgery is a permanent fix, but aesthetic treatments may need to be reapplied even though they are generally long lasting.

• Once you have recovered completely from plastic surgery, the results will be evident. When using aesthetic procedures the results will develop with time.

• Repeated procedures are generally required in order to get the full benefits from seeing an aesthetic doctor, but plastic surgery is a onetime fix.

There are many people who choose to first work with an aesthetic doctor. This allows them to see if they will be happy with what this less invasive procedure can do for them. Even though the results may not be eternal, they do offer less anxiety over procedures that could change their lives. Some people even believe that seeing an aesthetic doctor can create a smoother path to a final goal of allowing further treatment by a plastic surgeon.

Starting out with an aesthetic doctor may be the right way to go, and who can be for sure that they will not be able to create the look you want without having to go under the knife. Your appearance is important to you so do everything you can to preserve your good looks. If you are worried about the time it takes to recover from plastic surgery or the pain it would cause, you might want to think about seeing an aesthetic doctor.

Aesthetic Procedures – A Growing Ethical Dilemma

The growing popularity of aesthetic surgery has invited criticism from a plethora of school of thoughts who argue that the business is merely a means to gain profits. This article sheds light on the ethical dilemma surrounding aesthetic surgery in order to ascertain whether this form of surgical intervention is in actual beneficial for the patients or not.

Research has highlighted a number of motivating factors which persuade men and women to opt for aesthetic procedures. Apart from increasing the quality of their lives, the primary motivating force behind such procedures is the aim to satisfy one’s own aesthetic sense. For doctors and for surgeons such procedures emerge as ethical procedures where they aim to fulfill the demands of their patients and secondly to provide such patients a medium through which they can deal with certain psychological issues. The psychological needs of such patients are an important part of this equation and thus cannot be ignored. Hence, before classifying aesthetic procedures into definite black and white categories, one needs to consider the demands, requests and the reasons provided by the patients.

There is no denying the fact that every individual wishes to be attractive which is considered as the most basic form of one’s emotional or psychological desires. Genders too play a crucial role in ascertaining what people will be most attracted to these procedures. Women, in particular face greater pressures and hence tend to show a greater interest in aesthetic surgery procedures.

In addition, studies also suggest that apart from individual factors such as emotional desires and body image which motivate a person to opt for aesthetic procedures; some may also be influenced by a host of social factors which dictate whether such procedures will be accepted in a particular society or not. For plastic surgeons the ethical boundaries surrounding this domain are blurred to an extent where the only intervention possible comes from the surgeon or from the patient. It is worth mentioning however that such procedures are mere embellishments and unlike other medical surgeries which attempt to save life, these procedures only tend to enhance it. For surgeons, to decide whether a procedure is ethically acceptable or not, one needs to ascertain whether the same will add to his/her quality of life.

Developing New Renaissance Technology, the Difference Between Aesthetics and Ethics

It has been observed that an inadequate understanding of the fundamental difference between aesthetics and ethics brings about an inevitable collapse of cultures. This ignorance, in part, has been forced upon the general Western populace through an illogical mixture of religious and politically organised core curriculum studies that dominate the philosophies of Western scientific culture. Spin doctoring to present illogical aesthetics as passionately held ethical beliefs, brings about an unsustainable concept of the living process, leading to social disintegration.

Because of this problem, the fate of global civilisation now hangs in the balance. Although the difference between aesthetics and ethics is now measurable, the present panic obsession with failing global economic rationalism prevents genuine investigation on this issue. However, the newly emerging chemistry of quantum biology as a medical science, is revealing the nature of the technologies needed for the healthy or ethical betterment of the global human condition.

Quantum mechanics includes the property called ‘Observer Participancy’. It is necessary for someone looking through a powerful microscope at a very small part of the fabric of the material universe to use light in order to see it. Because the light can alter the structure of the small fabric being looked at, the observer is considered to be participating in the structure of the universe. Quantum biology is about how the energies of the material universe entangle with the optics of Plato’s spiritual, or holographic reality in order for creative consciousness to evolve.

It is quite acceptable to associate ethics with this process of evolving consciousness. That idea was basic to the ancient Greek life-science called the ‘Science for Ethical Ends’, which was also associated with the 3rd Century BCE Greek ‘Science of universal Love’. Recently, a new chemistry of life was discovered, which its three Nobel laureates in Chemistry discoverers refer to as Fullerene Chemistry. Pagan Platonic ethical science is now fundamental to the discovery of their new medical science, because Buckminster Fuller derived his life-science engineering principles from it.

Harvard University’s Novatis Professor, Amy Edmonson, in her online book titled ‘A Fuller Explanation-The Synergetic Geometry of R. Buckminster Fuller’, published in 1987, explains that Fullerene chemistry is directly associated with Platonic ethics. On page 36 of her book, Professor Edmonson writes that Fuller derived his human survival mathematics from ancient Greece. On the following page is a subtitle, ‘Plato’s Discovery’ in which the ancient mathematics used by Fuller are presented in detail.

The foundation of Western culture’s ethical disposition was constructed upon the aesthetics postulated by Immanuel Kant. This can no longer be considered to be a logical concept. Several independent corrections to Kant’s logic have taken place, in which the upgrading of his ‘Aesthetics’ resulted in quantum mechanics being advanced into the quantum biology. One of the scientists who pioneered this process was the 19th Century mathematician Bernard Bolzano, considered to be one of the world’s greatest logicians.

Edmund Husserl, in his ‘Prolegomena to a pure logic’ in 1900, was familiar with Bolzano’s ‘Theory of science’, which was a correction to Kant’s ‘Aesthetics’. Bolzano’s logic led to the discovery of fractal logic ethics. The people who helped to frame 20th Century science such as Benoit Mandelbrot, Bertrand Russell and Albert Einstein were quite unable to grasp Bolzano’s genius understanding about fractal ethics. Now that Bolzano’s logic is an integral part of the now accepted universal Platonic-Fullerene holographic reality, the nature of incredible new human survival technologies have become obvious.

In 1972 Dr Candace Pert discovered the Molecule of Emotion, from which the nature of the entanglement of the material universe with the spiritual holographic reality can be readily deduced. The original Western life-science was correct, ethics belongs as a force to generate healthy biological growth and development through space-time. Proof of this fact was discovered during the 1980s by the science-Art Centre in Australia. Its discovery of a life-force governing optimum biological growth and development through space-time was reprinted in 1990 from the 20th Century World literature by the world’s largest technological research institute, IEEE Milestone Series in Washington. Immanuel Kant’s ‘Aesthetics’ can only generate ethical intuitions that provide inspiration to make practical use of ethical information, generated through evolving space-time,for the betterment of the human condition.